T-BONE WALKER - Blues Musician Poster / Art Print by Atelier Bagatelle

Description

This poster of T-Bone is the sixth in our series honoring great blues musicians - some famous, some obscure.
The poster is printed on heavyweight presentation paper using dye based inks - approximate live image area is 14" x 20"
Your poster will be shipped rolled in a heavyweight tube to ensure its safe arrival.
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About T-Bone -
Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was a critically acclaimed American blues guitarist, singer, songwriter and multi-instrumentalist who was one of the most influential pioneers and innovators of the jump blues and electric blues sound. He is the first musician recorded playing blues with the electric guitar.
T-Bone Walker was born in Linden, Texas, of African American and Cherokee descent. Walker's parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington, taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano.
Early in the 1920s, the teenage Walker learned his craft amongst the street-strolling string bands of Dallas. His mother and stepfather, (member of the Dallas String Band) were musicians, and family friend Blind Lemon Jefferson sometimes joined the family for dinner. Walker had left school at age 10, and by 15, he was a professional performer on the blues circuit, with famed performer Charlie Christian as his mentor. Initially, he was Jefferson's protégé and would guide him around town for his gigs.[4] In 1929, Walker made his recording debut with a single for Columbia Records, "Wichita Falls Blues"/"Trinity River Blues," billed as Oak Cliff T-Bone. Oak Cliff was the community he lived in at the time and T-Bone a corruption of his middle name. Pianist Douglas Fernell was his musical partner for the record. Walker married Vida Lee in 1935 and the couple had three children. By the age of 26 he was working the clubs in Los Angeles' Central Avenue; sometimes as the featured singer and guitarist with Les Hite's orchestra.
By 1942, with his second album release, Walker's new-found musical maturity and ability had advanced to the point that Rolling Stone claimed that he "shocked everyone" with his newly developed distinctive song upon the release of his first single "Mean Old World", on the Capitol Records label. Much of his output was recorded from 1946–1948 on Black & White Records, including his most famous song, 1947's "Call It Stormy Monday (But Tuesday Is Just as Bad)”. Other notable songs he recorded during this period were "Bobby Sox Blues" (a #3 R&B hit in 1946), and "West Side Baby" (#8 on the R&B singles charts in 1948).
Throughout his career Walker worked with top notch musicians, including trumpeter Teddy Buckner, pianist Lloyd Glenn, Billy Hadnott (bass), and tenor saxophonist Jack McVea.
Following his work with Black & White, he recorded from 1950-54 for Imperial Records (backed by Dave Bartholomew). Walker's only record in the next five years was T-Bone Blues, recorded over three widely separated sessions in 1955, 1956 and 1959, and finally released by Atlantic Records in 1960.
By the early 1960s, Walker's career had slowed down, in spite of a hyped appearance at the American Folk Blues Festival in 1962 with Memphis Slim and prolific writer and musician, Willie Dixon, among others. Several critically acclaimed albums followed, such as I Want a Little Girl (recorded for Delmark Records in 1968). Walker recorded in his last years, from 1968–1975, for Robin Hemingway's Jitney Jane Songs music publishing company, and he won a Grammy Award for Best Ethnic or Traditional Folk Recording in 1971 for Good Feelin', while signed by Polydor Records, produced by Hemingway, followed by another album produced by Hemmingway; Walker's Fly Walker Airlines which was released in 1973.
In 2003, Rolling Stone ranked him at #47 on their list of "The 100 Greatest Guitarists of All Time".
Walker was posthumously inducted into the Blues Hall of Fame in 1980, and into the Rock and Roll Hall of Fame in 1987.
Chuck Berry named Walker and Louis Jordan as his main influences. B.B. King cites hearing Walker's "Stormy Monday" record as his inspiration for getting an electric guitar. Walker was admired by Jimi Hendrix who imitated Walker's trick of playing the guitar with his teeth. "Stormy Monday" was a favorite live number for The Allman Brothers Band.